Archives for category: Matter & Order

The heated debate over Bertrand Goldberg’s Prentice Woman’s Hospital building came to a head yesterday as the Commission on Chicago Landmarks finally heard the argument from staffers of the Department of Housing and Economic Development (HED) as well as public support to save the brutalist structure from demolition. After nearly six hours of hearing and granting preliminary landmark status, the Commission, chaired by Rafael Leon, overturned landmark status by a landslide vote of 8-1 at the meeting’s finale rendering Prentice a sitting duck.

As a recent adherent of this preservation saga, admittedly not knowing the all the intricacies and politics that undoubtedly lie beneath the surface, I see both sides as having valid positions:

Northwestern University

Northwestern University, the rightful owner of the property as of early Summer 2011, wants to build a brand new, massive (1.2 million square feet) biomedical research facility on the current site with aspirations to become a global leader in research on cancer, cardiovascular disease, diabetes, and neurodegenerative disorders. University spokesman Alan Cubbage said that Prentice is a 1970’s hospital designed for a totally different purpose, and can’t facilitate 21st medical research. He (Northwestern) believes that preservation of buildings with historical and cultural significance is a good goal, but doing research into diseases that kill people, and bringing thousands of jobs and hundreds of millions of dollars in federal research funds to Chicago are also very good goals. According to its website, the University will “attract an additional $150 million a year in new medical research dollars, create 2,000 new full-­time jobs, and generate an additional $390 million a year in economic activity in Chicago.” Northwestern University plans to demolish the old Prentice building and hold a design competition for its new research facility within the next calendar year.

The Save Prentice Coalition

Conversely, the preservationists are urging the commission for preliminary landmark status in order to protect the relatively young, 37 year old quatrefoil-shaped building designed by notable Chicago architect, the late Bertrand Goldberg. Though the University believes that Marina City is a better example of Goldberg’s work, the preservationists argue that Prentice is vitally important on numerous fronts. First, the architect is one of Chicago’s own, and he’s just now beginning to get the credit that he’s due. Second, the building is important to Chicago’s architectural heritage and the history of Streeterville. They also argue that if you look at Prentice in terms of its architectural design (cloverleaf-shaped concrete tower), its engineering (cantilevered decks from a single column), how it was designed to change the way that woman’s healthcare was provided (“care clusters”), and the fact that it was one of the first buildings to have used computer aided design software in its design, that it is extremely significant to the legacy of modern architecture. According to the Preliminary Summary of Information in the official Agenda of the Commission of Chicago Landmarks:

“Goldberg was an early adopter of computer technology within the architectural profession, and during the design of Prentice he modified software then in use by the aeronautical industry to design the building’s unprecedented cantilevered structure. Prentice is one of the first tall structures designed using computer analysis, and the computational method used to create it is now an essential tool in architectural and structural design.”

Original floor plan of Prentice Woman’s Hospital

Supporters and Detractors

A cadre of noted architects and engineers are in favor of preserving Prentice, including eight Pritzker Prize winners and the entire office of Skidmore Owings & Merrill (SOM). The Chicago architecture firm Studio Gang submitted an unsolicited rendering of an adaptive reuse solution, building a 31 story bowed square-shaped tower on top of the original building (see below). The Save Prentice Coalition immediately praised it, and the University just as quickly rejected it saying it doesn’t meet basic criteria for their vision of a modern, state-of-the-art research facility.

Christina Morris of the National Trust for Historic Preservation said that this “doesn’t have to be an either/or choice, and that there’s room for both reuse and research;” Architecture critic and WBEZ contributor Lee Bey said that “the preliminary landmark designation would temporarily spare Prentice from demolition for a year, and it would give City Hall the ability to examine whether a permanent designation and reuse plan are possible by working with the university, preservationists and experts” (a sensible idea, though time is of course money); Mayor Rahm Emanuel has recently sided with the politically powerful institution saying, “It is clear that the current building cannot accommodate the groundbreaking research facility that Northwestern needs to build, and I support the decision to rebuild on the site,” essentially sealing the fate of old Prentice; while the Chicago Architectural Club, in conjunction with the Chicago chapter of the American Institute of Architects has called for new ideas from architects, artists, and designers in an open competition called “Future Prentice” – which could amount to a “what if” exhibition if landmark status is not granted.

So What’s Your Point?

This brings me to why I’m sounding off on this issue that again is relatively new to me: of all the figurative pushing and shoving I’ve read on both sides of the issue, and of the few adaptive reuse concepts that I’ve seen in the press thus far (I’m interested in seeing more), to my knowledge there has not been one mention of structure relocation as a viable solution and a way to appease both the University and the preservationists. In spite of its structural shortcomings and, to some, aesthetic shortcomings, wouldn’t recycling Prentice by moving it to a new site and giving it a new purpose be a logical solution to the problem? Northwestern can build their billion-dollar research facility, and the preservationists can have their Goldberg. Though not historic preservation in the purest sense, it is, after all, a better outcome than a plaque and box of photographs.

Now I certainly don’t know or claim to know the financial investment or logistical scope involved of what would surely be a challenging feet of structural engineering in order to save Prentice from the kiss of the wrecking ball – but, in a “make no little plans” city, a city that reversed the flow of the Chicago River and twice built the world’s tallest building (the Willis Tower in 1974 and the Burj Khalifa in 2010), if Prentice is truly an architectural masterpiece and a national treasure as so many have claimed, isn’t the topic of structure relocation and a recycled Prentice as a compromised solution in lieu of demolition worthy of at least a conversation, if not further exploration? And, by gifting the building to the city in order to save it (and responsibly move it off the land), wouldn’t Northwestern save in millions of dollars of demolition costs? Now that Rahm has spoken and a decision has been made, I’m curious to know if recycling Prentice is something both parties would even consider at this point. It may still be too early as I’m certain we haven not heard the last word from the preservationists.

My Connection to Goldberg and this Story

Why has this story grabbed my attention so much as to spend time thinking and blogging about it? Well, I’ve been familiar with Bertrand Goldberg for years. My father was a construction worker for James McHugh Construction Co. and helped build Marina City back in 1964; I recently worked on an interior design project in Goldberg’s boutique hotel turned condominium building, Astor Tower in the Gold Coast; and, living across the street from a mothballed brownfield, site of the old Grand Central Station (Harrison and Wells), I can’t help but see another complicated Goldberg structure just to the south, Marina City (1972-1989). As many problems the building has endured over the years (namely flooding), every day packed tour boats navigate down the South Branch of the Chicago River to River City showing hundreds if not thousands of architecture buffs and tourists alike the strangely unique concrete S-shaped complex. Irony or not, directly across the river is the land where 141 years ago, Catherine O’Leary’s infamous cow knocked over the lantern (or so the legend goes) that ultimately razed and paved the way for the city to become a hotbed for architects from all over the world to rebuild the city, thus beginning Chicago’s world renown architectural heritage. Despite these three connections to Bertrand Goldberg’s buildings, until the recent media attention over the preservation of Prentice, I had never really given too much thought into his work or his legacy on the city in which I call home.

Marina City

Astor Tower

Architectural boat tours

Preservation via Structure Relocation

As I mentioned above, I live across the street from a brownfield site that has been sitting vacant since 1971, around mid-construction of Prentice Woman’s Hospital. The seven acre plot that runs adjacent to the Chicago River has been an unauthorized park for the last 20 years, where people use the land for various activities, including golf, football, baseball, soccer, Frisbee, cross-training, pep-rallies, and theater, to name a few – there’s even a cricket league that plays their matches there. It’s also the city’s largest unofficial dog park.

In 1931, William Randolph Hurst moved the Santa Maria de Ovila Monastery 6,500 miles from Spain to San Francisco. What if…

we were to take the old Prentice building and relocate it 2 miles southwest to the site of 700 S. Wells (with or without the Miesian black box it currently sits on), turn the grounds surrounding it, including the riverfront, into a public park (think the Peggy Notebaert Nature Museum), encase it in a glass box envelope (to prevent the “frosting drip” on concrete buildings when it rains) creating a light-filled atrium. One possible occupant could be the Chicago Center for Green Technology, giving it a secondary location, one that is closer to the people of Chicago (and to the thousands of tourists that pass the site every day on the architectural boat tours… i.e. a new revenue stream on the river, if you will) as its current location is 4.5 miles west of the Loop. Farr Associates, who have completed some amazing preservation and LEED projects, including the Chicago Center for Green Technology, and Perkins+Will would tag team the preservation, architecture, and landscape design.

“Frosting drip” on Prentice

Glass box examples

Chicago ranks among the top cities in the United States in green building design. What better way to symbolize both our architectural heritage and our leadership and commitment to green building practices and cradle-to-cradle design than to breath new life into old Prentice?

In yesterday’s hearing, Phil Enquist of SOM urged the Commission to “embrace the tradition of big, bold ideas, and identify a plan for reuse.” My (quickly conceived and crudely rendered) concept is just one example of many “big, bold” ideas for reuse I am certain are out there, if only the architects and planners were given the opportunity and a little more time.

Re-imagine, recycle, and reinvent.

Long live Prentice.


Wow.

What a year it has been.

From starting Matter Observed way back in January, to taking on several exciting interior design projects with Matter & Order; traveling near and far, including a last minute trip to Italy covering the Salone del Mobile for Inhabitat, to welcoming two beautiful new members into the extended family. There were ups and there were downs, as can be expected in any calendar year – but it was a good year. A challenging year. I learned a lot in 2011, and for that I am so very grateful.

As we bid 2011 adieu, I want to thank everyone who has supported me and Matter & Order through kind words of encouragement, and also thank those who took the time to read Matter Observed posts (over 6,000 visits to date!). I cannot express in words how much this means to me. In the year ahead, I will strive to design more, discover more, and write more, and of course share all of it with you on Matter Observed!

So I raise my proverbial glass, wishing you and your family the very best for 2012.

Happy New Year!


Last year, Matter & Order was invited to participate in Chicago Home + Garden‘s first ever Chairs for Charity event, where 15 Chicago-area designers including Larry Vodak of Scout, Julia Buckingham Edelmann of Buckingham Interiors, Kara Mann of Kara Mann Design, and Monica Pedersen of HGTV, among others, were asked to take a vintage chair, give it a new life, and donate it to be auctioned off with all of the proceeds benefiting Designs 4 Dignity.

For our entry, we took a flea market found valet chair from the 1950′s – the exact same chair in Don Drapers old bedroom on AMC’s Mad Men – nickle plated it (courtesy of Precision Finishing, Inc.), built a plush new seat (courtesy of Covers Unlimited), wrapped it in Indian silk fabric (courtesy of Gregg Fishman of Fishman Fabrics), and topped it off with a Jason Lewis-made base and walnut tray for keys, cufflinks, cigar cutters, etc., completely transforming a chair in despair into a smart, functional, and classic manly throne entitled, The Happiest Man.

Then, to give this new chair the attention it deserved, we put together a little photo shoot with some friends, including gifted photographer, Lindsay Gallup, fashion designer Anastasia Chatzka and her stunningly beautiful clothing lines, her then business manager and stylist, Sean Moran, vintage hair and makeup specialist Angelica Rivera of Tigerlilie Salon, and (first-time) model, the lovely Agnieszka Haligowska. We all had a blast creating Mad Men inspired imagery to represent the underlying theme of the event: the transformation of the old into new. And among a packed house at the Tile Gallery on November 3rd, with cocktails and hors d’oeuvres being served from some of Chicago’s finest restaurants, the auction raised over $10,000 for an incredible organization and an amazing cause.

Outtakes of “The Happiest Man” photo shoot:

Postcards we printed and distributed around the city to promote the event:

Coverage of the event in Chicago Home + Garden:

This year’s event, benefiting the Juvenile Diabetes Research Foundation, promises to be just as exciting and fruitful with chair designs from Karen Kalmek of Green Home Chicago, Morlen Sinoway of Morlen Sinoway Atelier, Cody Hudson of Struggle Inc., and HGTV Host & Author, Frank Fontana, just to name a few. So get your tickets to the second annual Chairs for Charity here, and don’t miss out on your chance to bid on and own a one-of-a-kind chair and work of art, all the while helping support yet another great cause!  November 2, 6 p.m. – 8:30 p.m., Chicago Art Source, 1871 N. Clybourn Ave.


We believe that our animal friends appreciate good design. Take Lemon (above), our resident rescue-pup from PAWS, for example. She loves to lounge on our Scandinavian sofa, doze on our designer duvet, and curl-up on our imported Italian lounge chair. She clearly exhibits a penchant for the finer things in life. So why not let design go to the dogs? Here are some haute doggie swag Lemon often daydreams about:

Doca Pets

How’s this for play-time? DogFace: A peanut butter scented toy soldier, made from durable, natural rubber. WARNING: Excessive drooling may occur. (It already has!)

Just because Wire&Dine looks like a Piero Lisoni designed dog-bowl server, doesn’t mean you have to own a Maltese to enjoy it! Italian aesthetic, designed and made right here in Chicago.

If Paul Kahan (Publican, Avec, Blackbird, Big Star) dished out his goodness to our four-legged friends, he would, without a doubt, do so in these SquareMeal dog-bowl servers. Their brushed stainless steel stand and bamboo top offers a warm modernism that will make your pooch feel like a real dog-foodie.

Pei Pod

These Pei Pod mod-pods are straight out of a Jetson’s episode. With a fun color pallet of mint, pink, and soft beige, the Astro in your life can curl up in serious futuristic style.

Uncommon Goods

We can’t think of a better way for the design aficionado to commemorate their best buddy than by hanging a mid-century style Dog Blueprint above the mantle. All of the drawings are stamped by famed canine architect, I.M. Paws (Oscar Weimaraner must have been busy), and each is accompanied by dog specs with documentation about the characteristics of the particular breed. Scale: 1/4″ = cool.

Harry Barker

Sure, you could get some old, raggedy yellow tennis balls to play fetch with, but you won’t look nearly as stylish as you would with these Crest Play Balls by Harry Barker (in Matter & Order‘s colors, of course!).

Fido to Go

Since food trucks are all the rage here in Chicago, why not have a BIG yellow one for canines? Enter, Fido to Go, with its delectable assortment of doggie pastries, one taste of these treats will have your furry pal wagging its tail every time it sees the color yellow. (Side note: apparently dogs are dichromatic and can see the colors blue and yep, you guessed it, yellow… who knew?!! Literally though, who knew?)

Best Friend’s Home

Being “in the dog house” isn’t so bad if you have one of these Cubix dog mansions from German based Best Friend’s Home. If it wasn’t for the red accents, we would’ve sworn Richard Meier designed this uber-chic doggie pad!

One more thing…

Our rescue dog, Lemon, pictured above with Governor Quinn, has filled our lives with unconditional love and happiness, and has managed to become Matter & Order’s official security guard and door greeter. Don’t get us wrong, we love ALL dogs, but if you’re looking for a life companion and you’re thinking about a getting purebred, or a labradoodle, cockapoo, or some other designer-dog, first head down to PAWS Chicago or the Anti Cruelty Society (or your local dog adoption center) and think about rescuing a dog instead. There’s lots of good pups out there just waiting to love you, please you, and make you happy, too!


Never in my wildest imagination would I have envisioned the planning of my first trip to Italy going something like this:

Saturday, 10:45pm – Contacted by the managing editor for Inhabitat to cover the biggest design tradeshow in the world that starts on Tuesday morning in Milan.

Saturday, 11pm through Sunday, 5:35pm – Deliberate and figure out how I could pull off this last minute avventura.

Sunday, 5:40pm – A decision is made and I buy my plane ticket.

5:41pm – Contact clients and apologetically reschedule meetings for the following week.

6pm – A quick trip to Best Buy and Target for last minute supplies.

8:20pm – Receive confirmation (thank Jah) about where I will be sleeping in Milan.

Monday, 11:45am – I’m on the Blue Line to O’Hare, nervous and excited as hell.

And that’s pretty much how it went down. But the truth is, I had wanted to go to Milan’s Salone del Internazionale Mobile, the world’s most preeminent international furniture fair, ever since learning about it back in 2006 while studying design and working at Luminaire; and, I had ALWAYS wanted to go to Lo Stivale, the beautiful country, Italy. After receiving a sign in the form of a finger written message on my dusty computer screen that simply said “go” as I powered down late Saturday evening, and with my wife’s blessing, I knew what I had to do – and so I went.

After a long, overnight flight with a layover in Paris, a 40 minute train from Milano Malpensa Airport to downtown Milan, a 30 minute subway trek out to Rho (where the expo was), and then a 15 minute bus ride from Rho to Cornaredo, I finally arrived at the apartment which I would call home for the next five nights. My host, Ombretta, could not have been more accommodating, or nicer, and she promptly set me up in my spacious room which was everything I could’ve asked for, and then some (see the last photo below for the “and then some” – the view from my balcony).

Now, despite the work-like nature of the trip, I didn’t intend on flying half-way across the world to visit such an amazing city and not venture out at least one day to observe some of the sights, and try to capture on film the essence of Milan during the week of the Salone. From the graffiti tagged facades to the overwhelming beauty and presence that is the Duomo, Milan is a city brimming with a combination of history, color, style and personality unlike any other I’ve ever seen, and there is no doubt I will be returning in the near future – only next time with my wife alongside me and a little less rushed, I hope.

Divertiti! Enjoy!



The smell and sound of a good wood shop is about as comforting to a furniture devotee as freshly mowed Wrigley Field grass and organ music is to a Cubs fan. The rich aroma of cut hardwoods permeate the air, sun beams illuminate a suspended universe of slowly moving particle dust, while a bevel edge chisel and table saw provide the verdant soundtrack. Just like Wrigley, it is a living, breathing time capsule – and this is exactly the scene Matter Observed walked into when we visited Chicago-based furniture maker, Jason Lewis, at his West Town laboratory of lumber. We caught up with Jason to get his thoughts on design, learn a little bit about his working process, and discover what’s on the horizon for this talented, up-and-coming furniture designer.

Matter Observed: Jason, first tell us a little about your background and how you got into furniture design.

Jason: I sort of got into building furniture before I got into designing furniture. In 2000 I found out about this local place that was basically a functioning custom furniture shop combined with a woodworking school. The guy took on apprentices to work for free and just learn by immersion in this environment. I had been looking for something like that to do, and ultimately I went and worked there for about a year. That was my first exposure to traditional joinery and this kind of furniture construction. I had always sort of built things, but never on this level.

After that I put together my own shop and started doing whatever commissions I could get. So this was when I really started working on design – both the one-off custom type work but also my own designs. Basically between paying jobs I would just work on my own pieces and try to build as much as I could, experimenting with different things.

 

Matter Observed: Aesthetic remnants of Shaker furniture and mid-century Danish design can be seen in much of your work. Do you look at what you are doing with your furniture as an extension of these styles and their fundamental principals?

Jason: Definitely the Shakers and a lot of the mid-century stuff are both big influences. I think the basic purity and functionality of the designs, the proportions, the way the details of a piece elevate a simple shape. All of that I try to incorporate in my own work.

Being a woodworker, I respond to that tradition of craftsmanship and the link between design and construction. The Shakers had this pure sense of design but were also totally inventive, ingenious builders. And all those great Danish designers either built their own furniture or had close collaborations with master woodworkers or cabinetmakers (and later manufacturers), usually the same one for years and years.

 

Matter Observed: Is there anything else that informs your designs in the creative process? Take us through how a design goes from an idea in your head to the finished product.

Jason: It depends. Sometimes I get an idea for just one element of something – a certain way to make the arm of a chair or something, and that’s what I build the rest of the piece around. Other times I start with an idea for more of a whole piece – maybe a basic outline of a table or chair, a certain profile. I typically work the idea around in my head for a while and then try to do a drawing, or sometimes I just start making it and kind of adjust dimensions or angles as I go along.

Matter Observed: Last year a client of Matter & Order wanted a writing desk with storage that could also double as a small dining table, and after some collaboration you designed and built a simple but gorgeous black walnut table (above) with sculpted joints where the legs meet the surface. What other types of wood do you work with, and do you like to mix different woods into a single design?

Jason: With custom work I use a wider range of materials, but most often it’s domestic hardwoods – walnut, oak, ash, cherry. On my own designs I tend to use walnut the most as kind of a default, I love the look and it also happens to be a really nice material to work with. I do sometimes mix woods, but I try to be pretty subtle about it. I think a little contrast goes a long way.

Matter Observed: Where do you source your lumber and do you ever work with Forest Stewardship Council (FSC) certified or sustainably harvested woods?

Jason: I source wood from a few different places around the area – some smaller sawmills that take local trees and mill them, and also some larger lumber dealers. I do work with sustainably harvested stuff wherever possible, and can always use it if requested. I have also done a number of projects with reclaimed lumber – wood that is salvaged from old barns or industrial buildings and can be cut down and reused.

Matter Observed: CB2 recently took one of your chair designs (above) and manufactured it in a brushed nickel-plated steel, calling it the Fleet Chair (below, $179 available at CB2 ). What was the process like working with the Chicago-based company in getting your design from wood into metal form? Is there a story behind the naming of the chair?

Jason: We started looking at some of my existing designs and trying to see if there was something that could be reworked so that it could be manufactured in metal at a manageable price. They can produce that chair in metal a lot cheaper than wood, and the design lends itself to metal because you keep that visual lightness – the thin frame, the thin bent back – in a way you couldn’t in wood at that level of production. As far as coming up with a name, I happily deferred that to the creative folks at CB2.

Matter Observed: Well we love the name, and the chair sings modern elegance. It’s definitely one of our favorite new chair designs under $250, as recently reviewed in dwell.

Matter Observed: Describe your ideal client or ideal project.

Jason: Any client that is excited about the product and the process is ideal for me. I’m also on the lookout for eccentric billionaires who need furniture.

Matter Observed: That’s funny, because eccentric billionaires are on Matter & Order‘s radar for potential clients, too.

Matter Observed: So what’s your favorite chair or piece of furniture that you’ve designed? How about a favorite chair or piece of furniture that you did not design?

Jason: I don’t think I really have a favorite of my own, the upholstered rocking chair (above) has been my best selling piece and so I’ve had the most chances to make & refine it over the years. It’s also something I use every day at home, so it has a more personal connection.

As far as something by another designer, again it’s hard to pick a favorite. I think the first piece of furniture that really made me think about or be aware of design was an Eames bent plywood chair (an LCM) that was in my grandmother’s house when I was growing up. That is still definitely one that I look to as an inspiration.

 

 

Matter Observed: What are you working on these days that you are particularly excited about?

Jason: I’m working on some new stuff with CB2 that should be out later this year, including (hopefully) a piece that I’ll be producing here in the shop as well as designing. Also getting ready to start on some furniture pieces and a reception desk for an apartment building lobby – this really beautiful old hotel in Hyde Park that is being completely renovated with modern interiors.

Matter Observed: Lastly, Matter Observed would like to know the answers to the following:

Last author read: Alan Brinkley
Last song heard: ‘Connecticut’ by Superchunk
Last food consumed: A banana
Last drink imbibed: A cup of coffee

Matter Observed: Jason, thank you for time.

Jason: Thank you, Nate.

Jason Lewis’ work is both familiar and striking: familiar in form, striking in its incredible craftsmanship and attention to detail – as if Fritz Hansen had a lovechild with Mother Ann Lee. Using joinery techniques developed centuries ago, his designs are modern yet timeless wooden sculptures that double as heirloom-quality furniture. For contact info and to see more of Jason’s work, visit his website at jasonlewisfurniture.com.


Before obtaining absolution tomorrow for all of our sins, we must prepare for the debauchery of today, Fat Tuesday, or more commonly – an excuse for serious revelers to hit the bars early on an otherwise normal Tuesday afternoon. However you choose to celebrate Mardi Gras, remember the city that made this day famous, New Orleans! The images below are beautiful examples of New Orleans architecture, including early shotgun shacks which originated here, Spanish colonial homes, and Creole townhouses with their incredibly detailed wrought-iron balconies. These photographs were taken in the French Quarter in 2006, one year after Hurricane Katrina ravished the city.

Postscript:

It has been nearly six years since Katrina devastated The Big Easy and its surrounding communities, yet many of its residents are still feeling the effects of that fateful day. Through the help of charitable organizations like Architecture for Humanity, however, incredible progress has been made in the rebuilding of this culturally rich, unique, and beautiful city. Architecture for Humanity offers design, construction and development services to people and communities around the world that need it most. Their objectives include bringing safe shelter to communities, alleviating poverty, rebuilding community, mitigating the effects of rapid urbanization, creating spaces for those with disabilities, and reducing the footprint of the built environment.

It’s a wonderful organization responsible for a lot of positive change in New Orleans, and around the world. You can help their cause on this celebratory day by simply foregoing that last Sazerac or extra plate of crawfish and making a small donation to Architecture for Humanity. Or you can visit the Crescent City yourself and support their economy directly. Take it from Matter Observed, it will be money well spent.

Photographs courtesy of Alexy Sergeev

Music by Tuba Skinny


Greg Benson, CEO and co-founder of Loll

Located on a densely wooded Duluth hillside along an old, archetypal U.S. railway sits Hawks Boots, headquarters for Loll Designs and Epicurean Cutting Surfaces, makers of sustainable outdoor furniture and kitchen tools, respectively. The nondescript, white brick manufacturing facility plays symbiotic host to the striking David Salmela designed office of glass and timber (and recycled plastic) perched atop. The evolution of this 80 year old structure – from its early days as a manufacturer of concrete culverts, pilings, light posts and burial vaults, to its years of neglect, to its recent renovations, additions and greening of its brownfield site – could be a good analogy for its current occupants’ evolution, with its own renovations and additions, and its own greening of sorts. We recently toured the Hawks Boots facility with Greg Benson, the CEO and co-founder of the award winning, eco-friendly outdoor furniture design company, Loll Designs, and got the skinny on the company’s history, as well as a glimpse into its future.

Hawks Boots / photo by Peter Bastianelli Kerze

Matter Observed: Greg, before you co-founded Loll and Epicurean, you were building skate parks with your company, TrueRide. Tell us a little about your background and how TrueRide got started.

Greg: TrueRide was founded in 1997 by my brother, Dave, our friend and partner, Tony Ciardelli, and myself. A lot of people naturally assume we were skateboarders turned ramp builders, but that wasn’t the case. The three of us have an entrepreneurial spirit derived from our parents, and their parents. We also all grew up in Bloomington, a suburb of Minneapolis, where Rollerblade skates were founded by Scott Olson. Dave and I were friends with the Olson family and Tony’s sister had married Scott.

Riding the rails / photo by Dan Busta

Tony and I met while doing a marketing event for Rollerblade. We ended up working together a few years later setting up ramps around the country. That was when we brought my brother Dave into the mix. Dave and Tony ended up doing a lot of events together around the country while I continued to work in marketing for Rollerblade. Throughout our travels we saw that kids needed skate ramps in cities all over the U.S.

We started TrueRide with a desire to work for ourselves, work with our heads and our hands, and have fun. Almost 14 years later we are still doing all of that and I feel very fortunate to be doing so. We sold TrueRide in 2007 to focus on furniture and cutting boards, and now Dave and Tony now head up Epicurean while I focus on Loll, but we are all still under the same roof and are one big happy family.

A TrueRide designed half-pipe

Matter Observed: From skate parks to outdoor furniture and kitchen tools, all your products have been made from either post-consumer and post-industrial recycled HDPE (#2 plastic, the resin used in milk jugs), or recycled corrugated cardboard. Did you have an interest in environmentally friendly industrial design or furniture making before Loll, or was this idea born from the capabilities and possibilities of the manufacturing process?

Greg: Since I first learned about it, I’ve always had an interest in ecology. In fact, I fly an ecology flag on our flagpole at the shop. I’m pretty certain my interest was sprouted by Tom Hayden, a high school teacher who taught environmental studies. This was 1979-1982 when ecology was still a relatively new idea.

The production floor at Hawks Boots

In college I studied environmental literature and geography, and because of my education I was compelled to make our ramps green – and though the recycled materials we are using now were not available back then, the desire to design and make things out of recycled materials already existed. Of course, the ability to do so has been developed over time within our company. Whether we are designing and manufacturing a skate ramp, a lounge chair, or a cutting board, the idea of how to approach it and the processes to do so are really the same.

Matter Observed: It’s safe to say that creating sustainable products is the wind to your companies’ turbines and the cornerstone of your business. Among the many green initiatives, you’ve partnered up with the Carbon Fund, donate to 1% For The Planet, and use recycled materials, not only in your products, but in the packaging as well. Do you see your business as a leader in setting the precedence of how manufacturing, small or large, can be done responsibly?

Leftover recycled material is again recycled

Greg: For many years I looked at Patagonia as the company out there setting the example and carrying the eco torch. It’s hard to have an interest in the outdoors and not want to do the right thing knowing the impact it has on the environment. Our mission statement (or the closest thing to it anyway) says that “we understand the relationship between the furniture we make and the health of the environment that we want to enjoy it in.” Sustainable business practices just make a lot of sense and is the right thing to do. When coming up with these practices, I try to ask these three questions: 1. Is it eco? 2. Are we helping our employees and community? 3. Are we profitable so we can keep doing it?

It all makes economic sense, too. Reducing waste saves money. Reducing energy needs saves money. Happy employees save money (extended lunch breaks include hiking and kayaking). A healthy community is a good thing and it must save money in some way, right?

The first Adirondack prototype made of plywood

Matter Observed: Absolutely. Tell us about Loll’s first prototyped chair, the redesign of Thomas Lee’s 1903 Westport plank chair, a.k.a. the Adirondack chair.

Greg: I approached one of our CNC programmers with the Westport Chair in 2001. We were already replacing wood components in skate parks with different materials, and I am always looking for wooden objects that we can remake using recycled polyethylene (HDPE). In 2002, a failed attempt was made to produce an Adirondack chair out of the marine grade plywood we used in our skate ramps, so I asked a design student employee, David Getty, to see what he could do with the chair. David moved the typical Adirondack in a direction that started Loll off on its own. He produced two or three really unique chairs, but they had their problems from a cost and production standpoint. So the itch of figuring out how to make a chair persisted.

The first HDPE Adirondack

In 2003 I presented this challenge to Jeff Taly, and he jumped at the chance. Picking up where Getty left off, Jeff reconfigured a new design that we felt would work better with our manufacturing capabilities. The first few were made with Richlite and poly. We priced the chair out and thought it was too expensive, so the decision to make it with just poly became the obvious direction.

In the end we didn’t really remake the Westport chair – we ended up with something entirely different that worked with our manufacturing process and was a design that we liked and thought was comfortable to sit in. This chair had 5 slats in the back and became the paradigm for all the Adirondacks we do now.

The Emmet Lounge Chair available at Room & Board

Matter Observed: Last summer, a client of Matter & Order was looking to add some modern lines and color to their front porch and I was immediately drawn to the Emmet Collection, a variation of the Adirondack, at Room & Board. You also have exclusive lines (and design credit along with Jeff Taly) at Design Within Reach. What has your experience been working with some of the bigger names in modern retail furniture and accessories, such as Room & Board and DWR?

Minnesota based Room & Board

Greg: I can’t say enough about the significance of working with both of these companies and how they have changed the way we think of ourselves as a furniture design and manufacturing company.

Room & Board is a Minneapolis-based company that I have known about since I was a kid and so there is a familiarity to our relationship. Their business model is one that I have basically grown up with as their first store was literally less than a mile from where I grew up in Bloomington. Of the two, we started working first with Room & Board and right from the beginning it has been a wonderful experience. I truly mean that. They fostered a mutual feeling of partnership. They don’t just buy furniture from us – we work together.

Our first meeting with DWR was at a green furniture exhibit in NYC called Haute Green, and the next was at a design show in San Francisco. Working with DWR has evolved into a myriad of experiences, first and foremost with the public design scene that DWR comfortably resides in. DWR embraces the designer as well as the design itself, and it’s fun to be a part of what goes along with that. I realize that having our furniture sitting between an Eames and a Saarinen doesn’t make us an Eames or a Saarinen, but it still feels nice.

Adirondack Collection available at DWR

Both relationships have been about the furniture and the design. Yet, it’s also about the professional and dedicated people we work with at both companies who are trying to offer a great product and impeccable service to their customers. They both expect a lot from us and they should, because their customers expect the same from them.

Matter Observed: Quickly take us through the design process of how a chair, for instance, goes from a sketch on a bar napkin to the showroom floor?

Greg: Everything starts with choosing the recycled cardboard box the piece will ship in and then we start to design the piece. I’m joking of course! In reality, we all enjoy the process of creating new products very much. The process is usually the same, but of course the initial concepts and where they come from are always a bit different. Most of our products begin as a sketch either on paper or the computer and occasionally they come in from an outside designer. Whether it’s a Loll design or an outside designer, the process always begins with Jeff Taly here at Loll to get anything moving towards a reality. Jeff draws the piece and builds it with 3D software.

One of two CNC machines at Hawks Boots

With that done, we can spin the piece around for everyone to look at and critique. Once we feel it is ready to be cut on the CNC, Jeff programs the parts to be cut to create an actual prototype. From there it’s just a process of tweaking until it’s done. Of course, getting anything to a showroom floor is an entirely separate process. Having a piece actually accepted and sold is the true test. Anyone can design and make a chair, but the challenge is to make a good one that is affordable and can be shipped in a box.

Matter Observed: Do you have a favorite chair or product? Or, like with your children, you can’t choose and you love them all equally?

Greg: Well, if furniture were like kids, I would really have my hands full! I have three kids and, like you say, I love them each equally for who they are, but that is another topic.

Gregg Fleishman designed chairs

For chairs, I guess I would have to say the Cabrio is my favorite because it is unique to Loll in so many ways. The Cabrio is a chair we won a Good Design Award for in 2009. I was attending the Dwell on Design show in Los Angeles in 2008 and met Gregg Fleishman. I was greatly impressed with the work he was doing with plywood and a CNC machine (his chairs can be found at Post27). The joinery he was utilizing had no metal fasteners but used the components themselves. On the airplane on the way back to Duluth, I drew the Cabrio as a version of an Adirondack chair but with less parts and different joinery than our existing Adirondack line. I didn’t copy Fleishman’s joinery at all, but his work inspired me to try something different with ours. I was trying to simplify the design as much as I could. I wanted the chair to be flat packed and easy to assembly.

Cabrio chair and side table

About six months later, Jeff drew it up in CAD (only after I bribed him with a four-pack of Surly, our favorite Minnesota beer!). It took us a few tries to get it right, but eventually we did and people liked it, and so we launched the chair in 2009 as the Cabrio Sports Chair; our marketing presented it as the equivalent to a sports car – a sports chair. In 2010 we did one final redesign prior to submitting it for the Good Design Award. Most importantly though, when I’m lounging around a ring of fire, it is without question the chair I want to be in.

Matter Observed: Some Cabrio chairs, Surly beers, and a ring of fire sound good right about now! Any new exciting news or product launches in 2011 or beyond? Feel free to officially announce it to the design world on Matter Observed.

Greg: We have a nice assortment of new products we are getting ready to launch at ICFF in New York City this May. Some pieces are an extension on current pieces. Last year we were approached by Studio Murmur, a Chicago-based design team comprised of principals Audra Bielskus and TJ Thomas.

Studio Murmur's Harbor Lounge Chair

They approached us with a new chair concept that expanded nicely on what we were offering. After many variations and a lot of thought, the Harbor Lounge Chair was born and we introduced it at the 2010 ICFF. Room & Board picked up the chair and ottoman to sell exclusively. New for this year the collection will be rounded out with a sofa and cocktail table.

We have been working with Eric Pfeiffer with Pfeiffer Lab on some new pieces for 2011. With Eric we will be introducing the Racer Collection. The Racer is a multi-functional piece.

The Racer Collection by Pfeiffer Lab

You can sit on it a few different ways and as well as being a great chair it also functions well as a shelf, table, and storage cubby. I think this is how people would like to use their outdoor furniture if they thought about what we actually do when we hang out on the deck or outside. Kids get it right away; you don’t always have to sit at 90 degrees with your legs and arms crossed. The best feature on the Racer is residing in the back above the storage cubby: the bottle opener. We also have a steel fire pit we will be launching with Eric. It doubles as a cocktail table.

Loll's new Swing

Another piece that I am really excited about is our new swing. It’s just a simple swing but it has taken us a couple years to get it just how we want it. If you think about it, swings are probably one of the oldest pieces of outdoor furniture. They all have similar qualities but are also totally unique. Because of this, it is both simple in design but can be complex in installation. They are hung from infinitely different places, or at least they should be. We also wanted to keep it affordable. We are using 100% recycled PET rope (it took me a while to find that!). There is also a round seat version with only one rope and a hole in the middle. It doesn’t get much simpler than that.

After years of longing to remake a certain classic lawn chair, we finally have one we are making with a talented Wisconsin steel furniture fabricator. The design is based on a chair I found at an antique store in Minneapolis. It has a steel frame with the seat and back made from recycled HDPE and most likely a Richlite option too. We are calling it Pliny the Lounger; named after our favorite IPA from the Russian River Brewery in Santa Rosa, California. (We once took a field trip there just to see where the beer is made. We tasted some of it, too!)

We have a few other pieces in the hopper as well that I am really excited about. Designing, figuring out and manufacturing new pieces is my favorite part of this job.

Matter Observed: Lastly, and just for good old fashion fun, Matter Observed would like to know the answers to the following questions:

Last author read: I’m reading Wired right now by Bob Woodward. John Belushi knew how to live. It’s too bad he couldn’t control the drugs. I haven’t finished it yet but I know how it’s going to end. It’s sad.
Last song heard: Don’t Let it Pass by Junip. I enjoy how Jose Gonzales flips back and forth between indie folk and electronic dance.
Last food consumed: I just ate a banana.
Last drink imbibed: Bell’s Hop Slam. (Not really, it was coffee, but I like the sound of the IPA better!)

Matter Observed: Greg, thank you kindly for your time.

Greg: You’re most welcome.

Loll is outdoor furniture for the modern lollygager

Matter Observed is going to keep following the evolution of Loll Designs because we’re excited to see what good things will come next from this young, innovative company. You can learn more about Loll and purchase other great Loll products (like planters, dog bowls and bird houses) by visiting their website, lolldesigns.com.

Be sure to pick up the January/February issue of Chicago Home & Garden to read about Matter & Order‘s vintage chair redesign for Chairs for Charity, the inaugural event benefiting the great organization, Designs for Dignity. It’s out on news stands NOW! Or, you can check it out here.

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